THEY'RE
BACK
With
the ultimate sci-fi franchise just a few short weeks away from its
return to the big screen, another legend is apparently set to come
storming back, although exactly when is not yet certain. The legend
in question is The Terminator - the cyborg on a mission
to destroy when he first arrived in 1984, but who had turned almost
friendly for Terminator 2: Judgment Day in 1991.
James Cameron - who wrote and directed both movies - is
reportedly in talks with both star Arnold Schwarzenegger
and Fox (who, of course, produced the director's all-time most successful
movie, Titanic) for a third assault on box-office
records.
The rights to the Terminator franchise have been drifting
around for a while, having been split between Andy Vajna
and Mario Kassar (who produced Judgment Day at their
now defunct Carolco) and Gale Anne Hurd, who produced the
cyborg's first outing. But it was apparently Cameron who insisted
that any sequel be made at Fox.
When Cap'n Jim gets to make the film is anybody's guess, since
he is also toying with the idea of a movie which has similarly just
emerged from almost a decade of litigation: Spider-Man.
And if either of the two mooted stars - Jim Carrey or Leonardo
DiCaprio - sign on for that one, finance should not be all that
hard to raise.
SINGING,
SHIPPING AND SCIENTOLOGY
He
hasn't sung since Grease, and he's hardly danced -
not counting a few self-parodic moments in Pulp Fiction
- since Staying Alive. But John Travolta should
be doing both in Standing Room Only, in which he will play real-life
lounge singer Jimmy Roselli.
The latter may not be a household name to you and me, but he was
apparently much appreciated by the mob, who packed his engagements
at Vegas and elsewhere. Then Roselli changed his mind, declared
he wanted nothing more to do with organized crime, and ended up
with a price on his head.
That
shouldn't have come as much of a surprise to anybody. What is surprising,
though, is the director of Standing Room Only: Gus Van
Sant, who was apparently the choice of both Travolta and his
manager (who is also the film's producer), Jonathan Krane.
Van Sant's days as a maverick indie look like being definitively
over, what with Good Will Hunting, Psycho
and now this.
Co-starring
in Standing Room Only is Kelly Preston, who will be
working with her husband for the first time since a long-forgotten
1989 flick called The Experts, which came right at
the lowest spot of Travolta's decade in the wilderness. At least
he met his wife on it. The couple look like co-starring again later
in the year in the somewhat delayed movie version of Annie L
Proulx's bestseller, The Shipping News.
In between, Travolta is expected to realise his decade-long dream
of turning Scientology founder L Ron Hubbard's sci-fi tale,
Battlefield Earth, into a movie. The $70-million
film (which Roger Christian is to direct for Franchise Entertainment)
is about an alien invasion which drives the earthlings underground
- until, that is, they are rallied to a fightback under the command
of a rebel leader.
Strangely enough, however, the rebel leader is not the role Travolta
has marked out for himself. He will play the big baddie: bad in
that he is the leader of the race of the aliens; big in that he
is 10-foot-tall.
NO
MORE MRS NICE
GUY
Having
departed sharply from her Merchant-Ivory image with last year's
The Theory of Flight, in which she played a terminally
ill wheelchair-bound woman determined to lose her virginity before
she dies, Helena Bonham Carter looks like maintaining her
hold on offbeat material with her next movie, Women Talking
Dirty, currently shooting in Edinburgh.
The film, which marks the long-awaited debut of Elton John's
production company, Rocket Pictures (launched with a lot of fanfare
at Cannes two years ago), is about the unlikely friendship between
two young Scottish women who support one another whenever life deals
either of them a problem - which is fairly frequently. It is being
directed by Coky Giedroyc, whose debut feature was the much-acclaimed
1996 low-budget Brit flick, Stella Does Tricks.
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