Andrei Rublev, Andrei Tarkovsky (1969)
Attilas ’74, Michael Cacoyannis (1975)
L’avventura, Michelangelo Antonioni (1960)
Bad Timing, Nicolas Roeg (1980)
Berlin Alexanderplatz, Rainer Werner Fassbinder (1980)
Das Boot, Wolfgang Petersen (1981)
Die Büchse der Pandora (Pandora’s Box),
GW Pabst (1929)
China 9, Liberty 37, Monte Hellman/Tony Brandt (1978)
La cicala, Alberto Lattuada (1980)
College, James W Horne (1927)
A dama de Lotação (Lady on the Bus), Neville De Almeida (1978)
Il deserto rosso (The Red Desert), Michelangelo
Antonioni (1964)
Decline of Western Civilization, Penelope
Spheeris (1981)
Dr Strangelove or: How I learned to Stop Worrying and Love the Bomb, Stanley Kubrick (1964)
The Empire Strikes Back, Irvin Kershner (1980)
Les enfants du paradis (Children of Paradise), Marcel
Carné (1945)
Un été meurtrier (One Deadly Summer), Jean
Becker (1983)
Fingers, James Toback (1978)
Fitzcarraldo, Werner Herzog (1982)
Il gattopardo (The Leopard), Luchino Visconti (1963)
Giulietta degli spiritii (Juliet of the Spirits),
Federico Fellini (1965)
Heaven’s Gate, Michael Cimino (1981)
Images, Robert Altman (1972)
L’important c’est d’aimer (The Important Thing Is
to Love), Andrzej Zulawski (1975)
In a Lonely Place, Nicholas Ray (1950)
Mädchen in Uniform, Leontine Sagan (1931)
Le magnifique, Philippe de Broca (1973)
Malizia, Salvatore Samperi (1973)
McCabe and Mrs Miller, Robert Altman (1972)
Mogliamante (Wifemistress), Marco Vicario (1977)
The Moon’s Our Home, William Seiter (1936)
My Darling Clementine, John Ford (1946)
La notte, Michelangelo Antonioni (1961)
Novocento (1900), Bernardo Bertolucci (1976)
Once Upon a Time in America, Sergio Leone (1984)
Orfeu negro (Black Orpheus), Marcel Camus (1959)
Otto e mezze (8 1/2), Federico Fellini (1963)
Overlord, Stuart Cooper (1975)
The Passenger, Michelangelo Antonioni (1975)
Pat Garrett and Billy the Kid, Sam Peckinpah (1973)
Paths of Glory, Stanley Kubrick (1957)
Les quatre cents coups (The 400 Blows),
François Truffaut (1959)
Ride the High Country, Sam Peckinpah (1962)
A Safe Place, Henry Jaglom (1971)
Salvador, Oliver Stone (1986)
The Sicilian, Michael Cimino (1987)
|
Silver Streak, Arthur Hiller (1976)
Something of Value, Richard Brooks (1957)
La strada, Federico Fellini (1954)
Turkse fruit (Turkish Delight), Paul Verhoeven (1973)
Welcome to L.A., Alan Rudolph (1976)
The Wild Bunch, Sam Peckinpah (1969)
Contributors
Robert Altman, film-maker
Vera Anderson, photojournalist (Harvey’s first wife)
Charles Lynn Batten, English professor, UCLA
Jacqueline Bisset, actress
Charles Champlin, film critic
David Chasman, film executive
Stuart Cooper, film-maker
FX Feeney, film critic
Andrea Grossman, Z Channel programming assistant
James B Harris, film-maker
Don Hyde, friend
Henry Jaglom, film-maker
Jim Jarmusch, film-maker
Charles Joffe, producer
Bill Mechanic, former programmer, Select TV
Edwin Michaelove, founding Z Channel programmer
Ned Nalle, film executive, Universal
Jerry Pam, Z Channel producer
Alexander Payne, film-maker
Chuck Ross, Z Channel’s top door-to-door salesman
Doreen Ringer Ross, long-time girlfriend
Alan Rudolph, film-maker
Theresa Russell, actress
Tim Ryerson, Z Channel assistant programmer
Jeff Schwager, Z Channel assistant programmer
Penelope Spheeris, director
Bob Strock, Z Channel marketing executive
Quentin Tarantino, film-maker
Kevin Thomas, film critic
Jonathan Turell, Janus Films/Criterion Collection
Douglas Venturelli, friend and writing partner
Paul Verhoeven, film-maker
James Woods, actor
Vilmos Zsigmond, cinematographer

Xan Cassavetes, director of Z Channel: A Magnificent Obsession
|